THE rear window
written & Directed
by EMILY DIX
A remount of our popular 2019 production
Hart House Theatre presents the Bygone Theatre production of The Rear Window
May 2024
Hart House Theatre | 7 Hart House Circle, Toronto
STARRING
Oliver Georgiou as L.B. Jefferies
Kate McArthur as Lena Hall
Cayne Kitagawa as Charles Thomas
Antonino Pruiti as Lars Thorwald
WITH
Simone Matheson as Mrs Thorwald
Sean Jacklin as The Working Stiff
Trinity Lloyd as The Newlywed Wife
Jacob Dowdall as The Newlywed Husband
Rachel Frederick as The Dancing Girl
PRODUCTION
Matt Richardson - Fight Director
Wesley Babcock - Set and Lighting Designer
Emily Dix - Sound, Prop and Costume Designer
Bria Cole - Projection Designer
Julia Edda Pape - Stage Manager
Ayesha Maria Khan - Assistant Director
Aria Kowal - Assistant Set Designer
Arianna Skirzynska - Assistant Lighting Designer
Kaleb Harrison - Assistant Projection Designer
Athen Chloe Go - Scenic Design Assistant
Olia Kashevarova - Wardrobe Assistant
Cheryl Ng, Rida Riyas, David Oduro - Assistant Stage Managers
PRODUCED BY
Conor Fitzgerald and Emily Dix
Isabella Cesari - Producer-In-Training
VENUE SPONSOR
projectors provided by
ABOUT
Recuperating from a broken leg, a news photographer spends his days cooped up in his New York apartment, watching his neighbours through the rear window of his home. The intense summer heat wave, a growing addiction to his painkillers, and the kind of delirium brought on by boredom and lack of sleep leads him to create fanciful stories about those he spies on, but when the line between truth and reality begins to blur, he finds himself questioning whether he has just witnessed a brutal murder, or whether his demons have finally gotten the best of him.
Based on the short story It Had To Be Murder by Cornell Woolrich, the same tale that inspired the 1954 Hitchcock film, Rear Window (James Stewart, Grace Kelly), The Rear Window takes a new look at this classic tale of a "peeping Tom" who saw more than he wanted to see. A gripping, psychological thriller that will leave you guessing until the final moments whether or not what we're seeing can truly be believed.